Brother Pt-65 Tape
Brother Pt-65 Tape
Dream Theater
History
Formation and early years (19851987)
Founding members (from left to right) John Myung, Mike Portnoy, and John Petrucci in 1985.
Dream Theater was formed in September 1985 when guitarist John Petrucci and bassist John Myung decided to form a band in their spare time while studying at the Berklee College of Music. The pair came across drummer Mike Portnoy in one of Berklee’s rehearsal rooms, where he was asked to join the band. The trio started off by covering Rush and Iron Maiden songs in the rehearsal rooms at Berklee.
Myung, Petrucci, and Portnoy settled on the name Majesty for their newly formed group. According to the The Score So Far… documentary, they were waiting in line for tickets to a Rush concert at the Berklee Performance Center while listening to the band on a boom box. Portnoy commented that the ending of the song “Bastille Day” (from the album Caress of Steel) sounded “majestic”. It was then decided that Majesty would be the band’s name.
The trio then set out to fill the remaining positions in the group. Petrucci asked his high school band-mate Kevin Moore to play keyboards. After accepting the position, another friend from home, Chris Collins, was recruited as lead vocalist after band members heard him sing a cover of “Queen of the Reich” by Queensrche. During this time, Portnoy, Petrucci, and Myung’s hectic schedules forced them to abandon their studies to concentrate on their music, as they did not feel they could learn more in college. Moore also left his college, SUNY Fredonia, to concentrate on the band.
“Another Won”
“Another Won” from The Majesty Demos.
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The beginning months of 1986 were filled with various concert dates in and around the New York City area. During this time, the band recorded a collection of demos, titled The Majesty Demos. The initial run of 1,000 sold out within six months, and dubbed copies of the cassette became popular within the progressive metal scene. The Majesty Demos are still available in their original tape format today, despite being released officially on CD, through Mike Portnoy’s YtseJam Records.
In November 1986, after a few months of writing and performing together, Chris Collins was fired. After a year of trying to find a replacement, Charlie Dominici, who was far older and more experienced than anyone else in the band, successfully auditioned for the group. With the stability that Dominici’s appointment brought to Majesty, they began to increase the number of shows played in the New York City area, gaining a considerable amount of exposure.
Shortly after hiring Dominici, a Las Vegas group also named Majesty threatened legal action for intellectual property infringement related to the use of their name, so the band was forced to adopt a new moniker. Various possibilities were proposed and tested, among them Glasser, Magus, and M1, which were all rejected until Portnoy’s father suggested the name Dream Theater, the name of a movie house in Monterey, California.
When Dream and Day Unite (19881990)
Dream Theater in 1989: John Petrucci, Mike Portnoy, Charlie Dominici, Kevin Moore, John Myung
With their new name and band stability, Dream Theater concentrated on writing more material while playing more concerts in New York and in neighboring states. This eventually attracted the attention of Mechanic Records, a division of MCA. Dream Theater signed their first record contract with Mechanic on June 23, 1988 and set out to record their debut album. The band recorded the album at Kajem Victory Studios in Gladwyne, Pennsylvania. Recording the basic tracks took about 10 days, and the entire album was completed in about 3 weeks.
When Dream and Day Unite was released in 1989 to far less fanfare than the band had anticipated. Mechanic ended up breaking the majority of the financial promises they had made to Dream Theater prior to signing their contract, so the band was restricted to playing around New York City. The promotional tour for the album consisted of just five concerts, all of which were relatively local. Their first show was at Sundance in Bay Shore, New York opening for the classic rock power trio Zebra.
After the fourth show, Dominici was fired because of personal and creative differences. Shortly after, however, the band Marillion asked Dream Theater to open for them at a gig at the Ritz in New York, so Dominici was given the opportunity to perform one last time. It would be another two years before Dream Theater had a replacement vocalist.
Images and Words and Awake (19911994)
“Pull Me Under”
“Pull me Under” from Images and Words.
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Following Dominici’s firing, Dream Theater fought successfully to be released from their contract with Mechanic, and set about auditioning singers and writing material for their next album. In their search for a new singer, they auditioned over 200 people, among them former Fates Warning front man John Arch; all were turned down. In mid-1990, at a gig in New York, Dream Theater introduced Steve Stone as their new singer. He performed just three songs with the band before he was fired for performing less than adequately. It was five months before Dream Theater played another show, this time all-instrumental (under the name YtseJam). Until 1991, the band remained focused in an attempt to hire another singer and writing additional music. It was during this period that they wrote the majority of what would become the 1992′s Images and Words.
In January 1991, Kevin James LaBrie, of glam metal band Winter Rose, was flown from Canada to New York for an audition. LaBrie jammed on three songs with the band, and was immediately hired to fill the vocalist position. Once recruited, LaBrie decided to drop his first name to avoid confusion with the other Kevin in the band. For the next few months, the band returned to playing live shows (still mostly around NYC), while working on vocal parts for the music written before acquiring LaBrie. Derek Shulman and ATCO Records (now EastWest), a division of Elektra Records, signed Dream Theater to a seven album contract based on a three song demo (later made available as “The ATCO Demos” through the Dream Theater fan club).
The first album to be recorded under their new record contract was 1992′s Images and Words. For promotion, the label released a CD Single and video clip for the song “Another Day,” but neither made significant commercial impact. The song “Pull Me Under”, however, managed to garner a high level of radio airplay without any organized promotion from the band or their label. In response, ATCO produced a video clip for “Pull Me Under”, which saw heavy rotation on MTV. A third video clip was produced for “Take the Time”, but it was not nearly as successful as “Pull Me Under”.
The success of “Pull Me Under”, combined with relentless touring throughout the U.S. and Japan, caused Images and Words to achieve gold record certification in the States and platinum status in Japan. A tour of Europe followed in 1993, which included a show at London’s famed Marquee Club. The show was recorded and released as Live at the Marquee, Dream Theater’s first official live album. Additionally, a video compilation of their Japanese concerts (mixed in with documentary-style footage of the off-stage portion of the tour) was released as Images and Words: Live in Tokyo.
“A Mind Beside Itself: II – Voices”
“Voices” from Awake.
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Eager to work on fresh material, Dream Theater retreated to the studio in May 1994. Awake, Dream Theater’s third studio album, was released on October 4, 1994 in a hail of controversy among fans. Shortly before the album was mixed, Moore announced to the rest of the band that he was simply no longer interested in touring, nor did he favor the style of music Dream Theater performed and would be quitting Dream Theater to concentrate on his own musical interests. As a result, the band had to scramble to find a replacement keyboardist before a tour could be considered. The album was received very well by both critics and fans. The album has been seen by some as Dream Theater’s darkest album mainly due to lyrical content with many of the songs dealing with internal conflicts. For example, “The Mirror” explores the topic of alcoholism, from which Portnoy was recovering at the time.
Jens Johansson, who would go on to become a member of Stratovarius, was among the biggest names to audition, however the band members were eager to fill the position with keyboardist Jordan Rudess. Portnoy and Petrucci had come across Rudess in Keyboard Magazine, where he was recognized as “best new talent” in the readers’ poll. The two invited him to play a trial gig with the band at the Concrete Foundations Forum in Burbank, California. For the members of Dream Theater, the show went incredibly well, and Rudess was asked to fill the keyboardist position permanently, however Rudess opted to tour with The Dixie Dregs instead, since it granted him more personal latitude. Disappointed, Dream Theater hired fellow Berklee alumnus Derek Sherinian, whose previous work included stints with Alice Cooper and Kiss, to fill in for the Awake promotional tour. By the conclusion of the tour, the band decided to take Sherinian on as Moore’s full-time replacement.
A Change of Seasons and Falling Into Infinity (19951998)
“A Change of Seasons”
“A Change of Seasons” from A Change of Seasons.
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Once again finding themselves with a new member, Dream Theater did not immediately start working on new material. Fans around the world, united on the YtseJam Mailing List (the most popular form of communication between Dream Theater fans at that point), had started placing pressure on the band to officially release the song “A Change of Seasons”. It had been written in 1989 and was intended to be a part of Images and Words, but at almost 17 minutes, it was deemed too long for studio placement. However, the band did perform it live on occasion while continuing to revise it in the years leading up to 1995.
The petition was successful, and the group entered BearTracks Studios in New York in May 1995 to rewrite and record the 23 minute song with Sherinian contributing significantly to the final product. To disseminate “A Change of Seasons”, the band released it as an EP along with a collection of cover songs recorded live at the Uncovered fan club gig.
After a short run of small concerts to promote A Change of Seasons, Dream Theater took a break for a few months. To keep busy, however, the band released a special Christmas CD through their official fan club, consisting of rare live tracks recorded during the band’s early years. They continued releasing a new CD each Christmas until 2005. Also during the break the individual members set out to write compositions for their upcoming collaborative writing sessions.
Meanwhile, there were several changes at EastWest, and Dream Theater’s main contact within the label was fired. As a result, the new team at the company were unaccustomed to the relationship Dream Theater had with former EastWest personnel, and they pressured Dream Theater to write an album that was more accessible. In mid-1997, they entered the studio to write their next album. In addition to pressuring the band to adopt a more mainstream sound, EastWest recruited writer/producer Desmond Child to work with Petrucci on polishing the lyrics to his song “You Or Me”. The whole band substantially reworked the music to the song, and it appeared on the album as “You Not Me” with a chorus that was barely reminiscent of the original. Child also had a noticeable impact on the album, with a shift towards compositions that were less complex and more radio-friendly.
The band wrote almost two CDs worth of material, including a 20 minute long follow-up to the Images and Words song “Metropolis Part 1: The Miracle and the Sleeper”. The label, however, did not allow the release of a double album because it felt that a 140-minute record would not be digestible by the general public. James LaBrie also felt that the CD should be a single disc. The unused songs were later released in the Ytsejam Records release The Falling Into Infinity Demos.
The material that made it onto the album proper was released as Falling Into Infinity, which received a mixed reception from fans who were more familiar with the band’s earlier sound. While the album was moderately progressive-sounding, tracks such as “Hollow Years” and “You Not Me” prompted some to believe it was the dawn of a new, mainstream-sounding Dream Theater. Overall, the album was both a critical and commercial disappointment. Although Portnoy didn’t speak out publicly at the time, many years later, in the 2004 DVD commentary for 5 Years in a Livetime, he revealed that he had been so discouraged during this period he’d considered disbanding Dream Theater altogether.
During the European leg of the Touring Into Infinity world tour, two shows were recorded for a live album entitled Once in a LIVEtime, in France and The Netherlands. The album was released at around the same time as the video 5 Years in a Livetime, which chronicled the time from when Kevin Moore left the band up to the Falling Into Infinity promotional tour.
Scenes from a Memory and Metropolis 2000 (19992001)
In 1997, Magna Carta Records’ Mike Varney invited Portnoy to assemble a progressive ‘supergroup’ to work on an album, which would become the first in a long string of side-projects for the members of Dream Theater. The lineup consisted of Portnoy on drums, Petrucci on guitar, Tony Levin on bass, and keyboardist Jordan Rudess, who had finished with the Dixie Dregs. The band assumed the name Liquid Tension Experiment, and would act as a medium through which Portnoy and Petrucci could once again court Rudess to join Dream Theater. In 1999, he accepted an offer to become the third full-time Dream Theater keyboardist, replacing Sherinian.
With yet another new member, Dream Theater entered BearTracks Studio once again to write and record their next album. As a result of an ultimatum from Portnoy, the label gave the band complete creative control. The follow-up to “Metropolis Part 1″, which was written during the Falling Into Infinity sessions (but not used on that album), was taken off the shelf for reworking. They decided to expand the 20-minute song into a complete concept album, with a story revolving around themes such as reincarnation, murder and betrayal. To avoid stirring up the fan base, a tight veil of secrecy enveloped the writing and recording process. The only things fans were privy to prior to its release were a track list that had been leaked against the band’s wishes, and a release date. In 1999, Metropolis Pt. 2: Scenes from a Memory was released to high critical acclaim. It was hailed as Dream Theater’s masterpiece by many fans and critics alike, despite only reaching #73 on the US album chart.
The album was mixed by David Bottrill, but only a few of his mixes made it on the final album. The bulk was remixed by Kevin Shirley. The rest of the mixes can be heard in the band’s official bootleg “The Making of Scenes from a Memory”.
A massive world tour followed recording the album, taking over a year to complete, by far their largest to that point. The concerts reflected the theatrical aspect of the album. They played the entire Scenes From a Memory album from start to finish, with a video screen on the back wall of the stage showing a narrative companion to the story of the album. In addition to playing the album in its entirety, the band also played a second set of Dream Theater songs, as well as a few covers and improvisations of old Dream Theater material. For one extra special show, at the Roseland Ballroom in New York City, actors were hired to play characters in the story, and a gospel choir was enlisted to perform in some sections of the performance.
This show, the last North American date of the tour, was recorded for the band’s first DVD release. After many technical delays, the DVD, titled Metropolis 2000, was released in early 2001. Shortly after, the band announced that an audio version of the concert, with the entire four-hour long set-list (most of which had to be cut from the DVD to save space), would be released.
The cover for the CD version of the concert, titled Live Scenes from New York, depicted one of Dream Theater’s early logos (the Images and Words-era burning heart, modeled on the Sacred Heart of Christ) modified to show an apple (as in “Big Apple”) instead of the heart, and the New York skyline, including the twin towers of the World Trade Center, in the flame above it. In an unfortunate coincidence, the album was released on the same date as the September 11 attacks. The album was quickly recalled by the band and was re-released with revised artwork later.
Six Degrees of Inner Turbulence (2002)
“Overture”
“Six Degrees Of Inner Turbulence” from Six Degrees of Inner Turbulence.
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Putting the whole ordeal behind them, Dream Theater once again entered BearTracks Studios to record their sixth studio album. Four years after they first petitioned EastWest to allow them to release a double album, they finally got their chance with Six Degrees of Inner Turbulence. The first disc consisted of five tracks of 713 minutes in length, and the second disc was devoted entirely to the 42-minute title track, which is to date the longest song Dream Theater has written. The genesis of that song came when Rudess wrote what would become the “Overture” section of “Six Degrees of Inner Turbulence”, and the band took some different melodies and ideas contained within it and expanded them into chapters of a complete story.
Six Degrees of Inner Turbulence ended up being received very well by critics and the press. It was the most publicized of Dream Theater’s albums since Awake, debuting on the Billboard charts at #46 and the Billboard Internet charts at #1. Throughout the next year and a half they toured the world once more, with an expanded live show including a select few special “album cover” gigs (see Cover songs section, below), in which they played Metallica’s Master of Puppets and Iron Maiden’s The Number of the Beast in their entirety.
Train of Thought and Live at Budokan (20032004)
During 2003, Dream Theater entered the studio to write and record another album. Since Scenes from a Memory was written and recorded simultaneously in the studio, in the spirit of change, the band took a different approach by setting aside three weeks for writing prior to recording. In the middle of the recording sessions for the album, a special tour with two other progressive metal bands, Queensrche and Fates Warning, was undertaken in North America. The “Escape from the Studio American tour”, as it was referred to in Dream Theater’s promotional material, featured Queensrche and Dream Theater as co-headlining acts with Fates Warning performing supporting act duties. As a finale for each concert there was an extended encore in which both Dream Theater and Queensrche performed together on stage simultaneously, often playing cover songs.
At the completion of the tour, Dream Theater returned to the studio to finish the recording of their seventh album, Train of Thought. They concentrated more on writing a great song-oriented album, a mindset inspired by covering Master of Puppets and Number of the Beast on a previous concert tour. As a result, the more straight-forward metal sound of those two albums seemed to creep into Train of Thought. The album was a critical success, but it alienated a fair proportion of Dream Theater’s fans[who?] who preferred traditional progressive rock, such as Yes or King Crimson. Regardless, it seemed to expand Dream Theater’s fan base into new territory, capturing many more metal fans.
Another world tour followed, during which Dream Theater performed support act duties for one of their major influences, Yes. A modest North American tour was completed by the two bands, after which Dream Theater continued to tour the world with their so-called “An Evening With Dream Theater” shows.
Their next move was to release another live CD/DVD combination, this time recorded at the famous Nippon Budokan Hall in Tokyo, Japan on their Train of Thought world tour. Live at Budokan was released on October 5, 2004, and further propelled Dream Theater’s reputation as one of the premier live acts in progressive metal.
Octavarium and Score (20052006)
“I Walk Beside You”
“I Walk Beside You” from Octavarium.
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Dream Theater after concert in Paris (2005). Left to right: Portnoy, Petrucci, LaBrie, Myung, Rudess
Upon the completion of their Train of Thought promotional tour, Dream Theater entered the Hit Factory studios in NYC to record their eighth album. As it turned out, they would be the last group ever to record in that famous studio, and after they wrapped up their final session, the lights were turned off at the studio forever.
Octavarium was released on June 7, 2005, and took the band’s sound in yet another new direction. Among its eight songs is a continuation of Portnoy’s “Twelve-step” saga (“The Root of All Evil”, steps 6-7 in the 12-step plan), as well as the title track, a musically versatile 24 minute epic rivaling “A Change of Seasons”. Octavarium received mixed reviews from fans and has been the subject of spirited debate. Octavarium was the last album under their seven-album deal with Elektra Records, which had inherited the contract upon its absorption of EastWest Records.
Dream Theater toured extensively throughout 2005 and 2006 to celebrate their 20th Anniversary as a band, including a headlining spot on Gigantour. During a show on August 2, 2005 in Dallas, the band paid tribute to Pantera’s late guitarist Dimebag Darrell by performing the song “Cemetery Gates” as an encore. In addition was the unexpected appearance of fellow musicians Russell Allen, Burton C. Bell and Dave Mustaine, who joined the band on stage to perform parts of the song.
Dream Theater later departed from Gigantour and continued on with their own series of concerts. Several concerts were recorded and released for the Fanclubs. The 20th anniversary tour concluded with a show at Radio City Music Hall in New York City on April 1, 2006. Though the show had minimal promotion, it was sold out days after tickets were made available. This show, which was recorded for a CD/DVD called Score released on August 29, 2006 through Rhino Records, was the band’s first concert accompanied by an orchestra (the “Octavarium Orchestra”).
Systematic Chaos, Greatest Hit and Chaos in Motion (2007-2008)
Dream Theater’s next album Systematic Chaos was released on June 5, 2007. The record marked their first with new label Roadrunner Records, a subsidiary of Atlantic Records. Roadrunner implemented increased promotion for the album, and as a result, Systematic Chaos reached number 19 on the Billboard 200. It also saw the release of a video for “Constant Motion” on July 14, the band’s first music video since Hollow Years in 1997. An authorized book entitled Lifting Shadows, detailing their first twenty years, was also released in 2007, with an updated and expanded edition released in 2009 Systematic Chaos contains eight tracks, but technically only seven songs. The album contains an epic titled “In the Presence of Enemies”, bookending the album as tracks 1 and 8, Portnoy’s continuing AA Saga with the song “Repentance”, and a song of political nature, “Prophets of War”.
The 2007/2008 Chaos In Motion World Tour started off in Italy. Dream Theater played in the Gods of Metal concert on June 3, 2007. Dream Theater also appeared at the Fields Of Rock Festival in the Netherlands on June 17, 2007. They also played at various other European festivals including the UK’s Download Festival and the French festival Hellfest Summer Open Air with other bands such as Megadeth, Korn, Mastodon and Slayer.
Dream Theater returned to perform the North American leg of the tour on July 24 in San Diego, California and wrapped up on August 26 in Philadelphia, Pennsylvania. They played with opening acts Redemption and Into Eternity. The “Chaos In Motion” tour continued for the rest of the year and into 2008, playing shows in Asia, South America and, for the first time, Australia.
On April 1, 2008, a two-disc compilation album entitled Greatest Hit (…and 21 Other Pretty Cool Songs) was released by the band. The title jokingly references the song “Pull Me Under”, the band’s only significant radio hit. It also includes three song re-mixes from their second album, Images and Words, five edited versions of previously released songs, and a track from a single B-side. Unlike most Greatest Hits compilations, Dream Theater was actively involved with the album, coming up with the tracklisting that they felt best represented their musical careers.
Mike Portnoy, after the release of Greatest Hit, organized a new tour called Progressive Nation 2008. Unlike previous Dream Theater tours, performances were held in cities that they had not visited before in the past (such as Vancouver, Canada) or cities they hadn’t played in for several years. This tour also marked the first time, since the release of Images and Words, where the group performed in small venues and performance halls.
After this tour, the band released a DVD set called Chaos in Motion 20072008, a compilation of songs from the tour supporting their 9th album, Systematic Chaos. There were two sets of DVDs released. One was a regular two disk set while the Special Edition set contained three CDs of music that went along with the DVDs. It was released on September 30, 2008.
Black Clouds & Silver Linings and God of War: Blood & Metal EP (2008resent)
Mike Portnoy announced on June 2, 2008 that the band would be entering the studio to record a new album. On October 7, 2008, Dream Theater began work on their 10th album. The album, which is titled Black Clouds & Silver Linings, was released on June 23, 2009. In addition to the standard CD, the album is available on vinyl LP, as well as a 3-disc Special Edition CD that includes the full album, a CD of instrumental mixes of the album and a CD of six cover songs.
On May 1, Mike Portnoy spoke to Metal Hammer about the new album for their podcast saying that while ‘The Shattered Fortress’ was the last in a series of songs about his 12 Steps recovery from alcoholism, ‘The Best of Times’ “is a real heavy personal subject about my dad who passed away during the making of the album,” adding, “He was battling cancer throughout its making.” The band has also announced a second Progressive Nation tour, including the tour’s first performances in Europe. Opeth, Bigelf and Unexpect supported Dream Theater in Europe, while Zappa Plays Zappa and Scale the Summit played the North American leg.
On June 22, 2009, Mike Portnoy announced, on his forum, that there was a lineup change for the Progressive Nation 2009 tour in North America. Pain of Salvation and Beardfish were unable to tour with Dream Theater and Zappa Plays Zappa due to financial troubles within their respective record labels. He also announced two bands that will be filling the vacated slots for the Progressive Nation 2009 tour in North America, Bigelf and Scale The Summit. On this tour Dream Theater has often done an extended jam on Six Degrees of Inner Turbulance’s “Solitary Shell,” making it around thirteen minutes in length. Similarly, they also did an extended jam on “Surrounded” during the Chaos In Motion tour.
On July 1, 2009, the album debuted at #6 on Billboard’s Top 200 album chart, with first week sales totalling 40,285. On November 12, 2009, Mike Portnoy announced that Dream Theater would enter the studio right after New Year’s to write and record a brand new instrumental track for inclusion on the upcoming PS3 game God of War III soundtrack. Titled “Raw Dog” (an anagram of “War God”), the instrumental was sent to Roadrunner Records January 8, 2010. This marked the first time that the band has written and recorded an exclusive track for an outside project.
In December 2009, during their Black Clouds & Silver Linings tour whilst visiting Australia Dream Theater appeared with one support act, Pain of Salvation, who apparently sorted out enough of their financial difficulties with their record label. In March 2010, they will tour South America with Bigelf.
On February 17, 2010, Avenged Sevenfold stated that they had entered the studio, along with Dream Theater drummer Mike Portnoy, to drum for the record, in place of The Rev.
Logo and imagery
Dream Theater wordmark and “Majesty” symbol
Despite the band being forced to change their name, Dream Theater adopted a custom logo (known as the Majesty symbol) and wordmark which has appeared on the vast majority of their promotional material and on the front cover of every Dream Theater studio album. The Majesty symbol is derived from Mary, Queen of Scots’ mark, which was re-worked by Charlie Dominici for use on the album artwork for When Dream and Day Unite. It consists of a capital Phi, a capital Mu, and a capital Lambda.
Live performances
Throughout their career, Dream Theater’s live shows have gradually become bigger, longer, and more diverse. The most obvious example of this is their rotational set list policy. That is, every single night of every tour has its set list devised by Portnoy using a meticulous process that ensures its uniqueness. Factors such as set lists from previous cities are taken into account to ensure that people who see Dream Theater multiple times within the same area will not see the same songs performed twice, and even the set list from the last time the band was in a particular city is taken into account for the benefit of fans who see the band on successive tours.
Rudess and Petrucci dueling in Buenos Aires, Argentina (2008).
For this to be possible, the band prepares to play the majority of its catalogue at any performance, depending on what Portnoy decides to program for that night. This process also requires the employment of a complex lighting system to load pre-configured lighting cues based on the individual songs.
Some of Dream Theater’s more notable touring partners include Deep Purple, Emerson, Lake & Palmer, Iron Maiden, Joe Satriani, King’s X, Marillion, Megadeth, In Flames, Pain of Salvation, Porcupine Tree, Opeth, Queensrche, Riverside, Spock’s Beard, Fear Factory, Enchant, Symphony X, and Yes. In 2005, Dream Theater toured North America with the Gigantour festival, co-headlining with Megadeth, and have played with Megadeth and Iron Maiden physically on stage.
The band’s full world tours, since Six Degrees of Inner Turbulence, have predominantly been so-called “Evening with…” tours, in which the band performs for at least three hours with an intermission and no opening act. The show that was recorded for Live Scenes From New York was nearly four hours in length, and resulted in Portnoy almost being hospitalized after acquiring severe food poisoning from the food he ate before the show.
“Twinkle Twinkle Little Star”
“Twinkle, Twinkle, Little Star”, live at Nagoya, Japan.
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There is also a significant amount of humor, casualness, and improvisation attached to a Dream Theater concert. In the midst of “A Change of Seasons” it is quite common for themes such as those for Major League Baseball and The Simpsons to be quoted, and Rudess routinely modifies his solo section in the song and others, often playing the ragtime section of “When the Water Breaks” from Liquid Tension Experiment 2. Several songs included on Once in a LIVETime include snippets of others’ pieces, such as Lynyrd Skynyrd’s “Free Bird” and Rimsky-Korsakov’s “Flight of the Bumblebee.” Other quotations include “Mary Had a Little Lamb” during “Endless Sacrifice” on the Gigantour, a calliope-inspired break between verses of “Under a Glass Moon”, a quote of “Don’t Cry for Me, Argentina”‘s main melody played by Petrucci while performing the intro solo of “Through Her Eyes” in Buenos Aires, the Turkish March at a concert in Istanbul, and the opening riff of Rush’s “A Passage to Bangkok” at a show in Bangkok, Thailand. On the most recent “20th Anniversary World Tour” Rudess has even thrown in a short “Twinkle, Twinkle, Little Star” theme in a break during “Endless Sacrifice”, and during a concert in Israel he started a spontaneous “Hava-Nagilla” later accompanied by the rest of the band.
Occasionally, a member of the audience is picked at random to perform on stage, an example of which can be seen during Portnoy’s drum solo on the Live at Budokan DVD. There have also been many impromptu renditions of “Happy Birthday” when a member of the band or crew has a birthday corresponding to a tour date, which normally results in a birthday cake being thrown at the subject.
Perhaps the best example of Dream Theater’s unpredictable concert structure is that during Derek Sherinian’s time with the band. At selected shows the band members all swapped instruments and performed an encore as the fictitious band dubbed Nightmare Cinema. They usually performed a cover of Deep Purple’s “Perfect Strangers”, and, on one occasion, Ozzy Osbourne’s “Suicide Solution”. At some shows, Sherinian, Petrucci and Portnoy would take the stage together under the name “Nicky Lemons and the Migraine Brothers”. Sherinian, wearing a feather boa and novelty sunglasses, would perform a pop-punk song entitled “I Don’t Like You” with Petrucci and Portnoy backing. In Chaos in Motion tour, in several concerts before “Trial of Tears”, Portnoy and Petrucci would change positions and play Van Halen’s “Eruption”.
Dream Theater’s largest audience as a headlining act was 20,000 in Santiago, Chile on December 6, 2005. This was during their first tour of South American countries other than Brazil (which they had visited in 1997 and 1998). The show was released on DVD through Portnoy’s YtseJam Records.
In the Score and Chaos in Motion DVDs, an animation has accompanied certain parts of the songs, showing the band playing along to the music as cartoon characters. On the Score DVD, during the song Octavarium, the band is seen performing in an octagonal shaped maze. As the animation continues Jordan Rudess spontaneously turns into Santa Claus and John Petrucci catches fire. In “The Dark Eternal Night” from the Chaos in Motion DVD, the band battles against a monster by shooting fireballs from guitars, throwing drum sticks, and screaming.
In 2008 Dream Theater started the “Progressive Nation ’08″ tour, along with Opeth, Between the Buried and Me, and 3. The tour is the brainchild of Mike Portnoy, who stated, “I’ve been wanting to assemble a package tour like this for many years now. With all of the festivals and package tours that go through America, I’ve been talking with our manager and agent for over 10 years now about doing something that focuses on the more progressive, musician-oriented side of hard rock and metal. I decided it was time to stop talking the talk, lace up and finally walk the walk.”
On February 13, 2009, Dream Theater announced the official line up for their Progressive Nation 2009 tour. The tour was originally set to feature bands including Swedish bands Beardfish and Pain of Salvation, as well as Zappa plays Zappa. On June 22, 2009, Mike Portnoy announced that Pain of Salvation and Beardfish would not be touring the North American leg of the Progressive Nation 2009 tour due to record label complications. In the same announcement, Portnoy stated that the bands Scale the Summit and Bigelf would replace Pain of Salvation and Beardfish on the tour. This lineup change has put Bigelf on both the North American and European legs of the Progressive Nation 2009 tour. The tour’s North American leg ran throughout July and August 2009. On March 26, 2009 it was announced that Dream Theater would take the Progressive Nation tour to Europe for the first time alongside Opeth, Bigelf and Unexpect. The tour ran throughout September and October 2009.
Bootleg culture
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Mike Portnoy started an official bootlegs series in response to Dream Theater fans’ affinity for live versions of their concerts. Dream Theater is one of the most actively bootlegged bands in the progressive metal genre. Since their very first shows in New York as Majesty, fans have recorded almost every single show that Dream Theater have played (occasionally there are three or four versions of a single concert), and some very elaborate and professional recordings have been released.
However, not every member in the band condones the release of Dream Theater bootlegs. Portnoy is the most pro-bootlegging member, since he was an avid collector of many bootlegs in his younger days and keeps his own personal archive of Dream Theater material in his basement. Petrucci and LaBrie have voiced opposition to people recording their concerts. Petrucci takes issue with bootleggers because he prefers audience members to concentrate on the musicians on stage, and not the level adjustments on their recording device. LaBrie, on the other hand, argues that bootlegging takes ownership and control over Dream Theater’s performances away from the band themselves and into the hands of the public. Myung has expressed mild opposition to bootlegging, but in some interviews has mentioned that he does not particularly take great issue with it.
Dream Theater have released a series of official bootlegs, demos and other rarities through YtseJam Records, headed by Portnoy. They include demos the band put out before official albums, as well as many live shows, including shows where the band has covered a particular album. Albums covered include The Dark Side of the Moon, Made in Japan, Master of Puppets, and Number of the Beast.
Cover songs
Dream Theater has been known for covering other artists’ work throughout their career. They took this practice to a new level during the promotional tour for Six Degrees of Inner Turbulence. At three special gigs, one each in Barcelona, Chicago and New York City, they covered Metallica’s Master of Puppets album in its entirety after a full set of Dream Theater material. This came as a surprise to fans, as there was no sign that this was to occur, other than it being announced that the gigs involved, which were on the second night of a two-night stand in each city, would be “extra special”. This tradition can most likely be traced back to one of Mike Portnoy’s favorite bands, Phish, who began a series of performing “musical costumes” of entire albums from other artists each Halloween beginning in 1994. Portnoy devised this “album cover” as the first in a series of gigs to be played as tributes to bands that had been influential in the formation and development of Dream Theater. The covers set divided many fans who attended the shows, with some people saying that they went to a Dream Theater concert to see original music and not another artist’s work. Others, however, said that it was a bonus and not a replacement for a normal Dream Theater concert, since an ordinary gig had been played the night before.
On the next leg of the tour they covered Iron Maiden’s The Number of the Beast and received a similar reaction to Master of Puppets, although it was already known that a cover was to be performed that night because the tour itinerary included two successive gigs in a single city. On October 11, 2005, Dream Theater covered Pink Floyd’s The Dark Side of the Moon. Dream Theater’s official webpage stated that the second sets of the second nights in Amsterdam, London, Buenos Aires, So Paulo and Tokyo (October 11, October 25, December 4, December 11 and January 13 respectively), and also the second set of the January 15 show in Osaka, would be a classic album covered in its entirety. The Dark Side of the Moon was played again on October 25 in London. However, in Buenos Aires (December 4) and So Paulo (December 11) the ‘classic album’ played was Dream Theater’s own Metropolis Pt. 2: Scenes from a Memory, to make up for not having visited Argentina and Brazil in their Metropolis 2000 tour. On January 13, 2006 (Tokyo) and on the 15th (Osaka), Dream Theater covered Deep Purple’s live album Made in Japan. Portnoy says that he has one more cover show planned, but refuses to reveal when it will occur, or what album will be covered.
During Gigantour 2005, Dream Theater did a cover of Pantera’s “Cemetery Gates” as a tribute to “Dimebag” Darrel Lance Abbott. As an added bonus, they had Burton C. Bell of Fear Factory, and Russell Allen of Symphony X do guest vocals and Dave Mustaine of Megadeth, do the main solo for the song.
In March 2006, Dream Theater played the rare Rush song “Jacob’s Ladder” at a show in Toronto. John Petrucci said a few days later in Asbury Park, New Jersey, prior to the night’s show, that “Rush wouldn’t play it, so we thought we’d play it for them.”
In addition, Dream Theater released several live cover songs on their EP A Change of Seasons, including songs from Elton John, Deep Purple, Led Zeppelin, Queen, Pink Floyd, Genesis, Journey, Kansas, and Dixie Dregs.
In 2008, they recorded a version of Iron Maiden’s “To Tame a Land” for a Kerrang magazine compilation entitled Maiden Heaven. This song was later included on the special edition of Black Clouds and Silver Linings
Dream Theater also recorded a number of cover songs for their 2009 album Black Clouds & Silver Linings. The songs came as a bonus disc in the special editions version of the album.
Dream Theater played “Hava Nagila”, the traditional Jewish song, during “Metropolis Pt. 1: The Miracle and the Sleeper” at a sold-out concert in Tel Aviv, Israel on June 16, 2009.
On August 14, 2009 during a Toronto show, Dream Theater played the Rush song “The Camera Eye”, which was originally released on Rush’s Moving Pictures album.
Discography
Main article: Dream Theater discography
When Dream and Day Unite (1989)
Images and Words (1992)
Awake (1994)
A Change Of Seasons (1995)
Falling into Infinity (1997)
Metropolis Pt. 2: Scenes from a Memory (1999)
Six Degrees of Inner Turbulence (2002)
Train of Thought (2003)
Octavarium (2005)
Systematic Chaos (2007)
Black Clouds & Silver Linings (2009)
In addition to the above official albums, the members of Dream Theater, past and present, have contributed to hundreds of bootleg albums, both official and unofficial, side projects, collaborations with other artists, and guest appearances.
Band members
Main article: List of Dream Theater band members
Current members
James LaBrie – Lead vocals, Percussion (1991-present)
John Myung – Bass guitar, Chapman stick (1985-present)
John Petrucci – Guitars, Backing vocals (1985-present)
Mike Portnoy – Drums, Percussion, Backing vocals (1985-present)
Jordan Rudess – Keyboards, Continuum, Lap steel guitar (1999-present)
Former members
Chris Collins – Lead vocals (1986)
Charlie Dominici – Lead vocals (1987-1989)
Kevin Moore – Keyboards (1986-1994)
Derek Sherinian – Keyboards, Backing vocals (1994-1998)
Awards and certificates
RIAA gold and platinum certification
Images and Words (Gold) – February 2, 1995
Metropolis 2000: Live Scenes From New York (Gold) – November 8, 2002
Live at Budokan (DVD) (Platinum) – January 26, 2005
Live in Tokyo/5 Years in a Livetime (Platinum) – March 22, 2006
Score (DVD) (Platinum) – October 11, 2006
Keyboard Magazine
Jordan Rudess was awarded the following Keyboard Magazine Reader’s Poll award’:
Best New Talent (1994)
Burrn magazine’s best keyboards player of the year (2007)
Modern Drummer
Mike Portnoy won the following Modern Drummer magazine Reader’s Poll awards:
Best Up & Coming Talent (1994)
Best Progressive Rock Drummer (1995-2006)
Best Recorded Performance (1995 for Awake, 1996 for A Change of Seasons, 1998 for Falling Into Infinity, 2000 for Metropolis, Pt. 2: Scenes From a Memory, 2002 for Six Degrees of Inner Turbulence, and 2007 for Score)
Best Clinician (2000, 2002)
Best Educational Video/DVD (2000, 2002)
Hall of Fame Inductee (2004)
Guitar World
The album Metropolis Pt. 2: Scenes from a Memory was ranked #95 on the magazine’s list of the 100 Greatest Guitar Albums of All Time.
Total Guitar
John Petrucci won Guitarist of the year award (2007).
Other recognitions
At Dream Theater’s Salt Lake City show, Governor Jon Huntsman, Jr. signed a proclamation making July 30, 2007 “Dream Theater Day”.
In December 2007, Dream Theater was chosen as Xbox Live’s artist of the month.
Dream Theater’s music video “Constant Motion” was voted second in the Headbanger’s Ball 2007 competition.
Dream Theater’s music video “Forsaken” was voted fifth in the Headbanger’s Ball 2008 competition.
Dream Theater’s song “Panic Attack” off of their album Octavarium is featured in the video game Rock Band 2. Additionally, the song “Constant Motion” is downloadable content for the Rock Band series.
The song “Pull Me Under” from the album Images and Words is also featured on Guitar Hero: World Tour.
Since August 12, 2008 (Xbox 360) and August 14, 2008 (PS3), Dream Theater’s song “Constant Motion” has been available for download for Rock Band. For the first month, it was available for a promotional price equivalent to $0.99 USD, but later reverted to a normal $1.99 cost for Rock Band downloadable content.
Dream Theater played twice on Xbox 360s Game With Fame event. They played Halo 3 in December 2007 and Call of Duty: World at War in June 2009.
Notes
^ a b c d Billboard Chart history for Dream Theater can be seen at Billboard.com.
^ “February 9, 2007″. Nielsen Soundscan News. 2007. http://www.marketingtomenconference.com/marketingtomen/bb_article_display.jsp?vnu_content_id=1003544204. Retrieved 2007-02-11.
^ “When Dream Theater and Roadrunner Records Unite!”. dreamtheater.net. 2007. http://www.roadrunnerrecords.com/artists/DreamTheater/video.aspx. Retrieved 2007-02-12.
^ a b c d e This was referenced in the documentary “The Score so Far”, on the second disc of the Score DVD.
^ Portnoy, Mike (2003). “The Majesty Demos 1985-1986″ [CD Liner Notes]. New York: Ytsejam Records.
^ “The Dream Theater FAQ – Graphic Version”. Gabbo.net. http://www.gabbo.net/dt/faq/. Retrieved 2009-01-02.
^ a b Portnoy, Mike (2004). And Nathan Edmonds help produce “When Dream and Day Unite Demos” 1987-1989 [CD Liner Notes]. New York: YtseJam Records.
^ Dominici, Charlie. When Dream And Day Unite liner notes (2004 re-release).
^ a b c d Please see MikePortnoy.com tourography for more information on this tourdate.
^ Portnoy’s tourography: June 9, 1990 tour date
^ EastWest Records Press Release.
^ Nine Christmas CDs were released through Dream Theater’s fan club before it was closed down in 2005. See DTIFC on Dream Theater.net.
^ LaBrie, James. (Summer ’97) Images & Words No. 14, pg. 5
^ Falling Into Infinity Demos
^ Portnoy, Mike (1998). “Liquid Tension Experiment” [CD Liner Notes]. New York: Magna Carta Records.
^ “Mike Portnoy FAQ”. http://www.mikeportnoy.com/aboutmike/faq/answers/12.aspx#213.
^ DreamTheater.net reported that Six Degrees of Inner Turbulence had reached #1 on the Billboard Internet Charts.
^ Mike Portnoy (2007) “In Constant Motion” Instructional DVD, Train of Thought album analysis.
^ http://digitalprosound.digitalmedianet.com/articles/viewarticle.jsp?id=45690
^ “Lifting Shadows – The Authorised Story Of Dream Theater”. Dreamtheaterbook.com. http://www.dreamtheaterbook.com/. Retrieved 2009-01-02.
^ Gods of Metal official website
^ “DREAM THEATER Begins Recording New Album, Seeks New Label Home”. Blabbermouth.net
^ “.”
^
^ http://www.metalhammer.co.uk/news/dream-theater’s-mike-portnoy-pens-tribute-to-late-father/
^ Holy Shit, Dream Theater debut’s at 6 on Billboard Top 200, The Gauntlet
^ http://www.mikeportnoy.com/forum/m2443312.aspx
^ http://www.dreamtheater.net/tourdates.php#dtnzaustralia
^ The mark used by Mary, Queen of Scots, is available on DreamTheater.net.
^ An embroidery showing the Mary, Queen of Scots, symbol in use
^ Dixon, Brad et al. “What is the ‘symbol’ DT use?”.
^ Campbell, Courtney. “Mike Portnoy – Dream Theater”. Earplugs Required.
^ See the Metropolis 2000: Scenes From New York DVD
^ Hansen, Scott & Portnoy, Mike. “What this I hear about Mike being really sick after the Roseland (DVD) show? What happened?”. MP FAQ.
^ Voices UK: Dream Theater Fan Club “Dream Theater News: Record crowd”
^ Octavarium animation
^ NADS Animation By: Mika Tyyska
^ “Progressive Nation 2008 – Press Release”. dreamtheater.net (Dream Theater). 2007-11-05. http://www.dreamtheater.net/news_dreamtheater.php#prognation. Retrieved 2008-05-11.
^ http://www.dreamtheater.net/news_dreamtheater.php#pnlineup
^ http://www.dreamtheater.net/tourdates.php Progressive Nation Tour Dates
^ “YtseJam Records – The Official Dream Theater Bootlegs”. Ytsejamrecords.com. http://www.ytsejamrecords.com. Retrieved 2009-01-02.
^ Hansen, Scott & Portnoy, Mike. “What are all the aspects involved in covering an entire album by another band? What does Mike take into consideration when picking an album?”. MP FAQ.
^ http://www2.kerrang.com/2008/06/maiden_heaven_track_listing_re.html
^ http://whiplash.net/materias/news_874/091017-dreamtheater.html
^ http://www.dreamtheaterforums.org/discography/page4.html
^ “RIAA”. Riaa.com. http://www.riaa.com. Retrieved 2009-01-02.
^ Jordan Rudess biography
^ http://rateyourmusic.com/list/Boggs1027/guitar_worlds_100_greatest_guitar_albums_of_all_time
References
Bredius, Mark. Dream Theater – The Official Site. (Retrieved February-April, 2005.)
Dixon, Brad et al. Official Dream Theater FAQ. (Retrieved February-April, 2005, moved c. 2007.)
Hansen, Scott & Portnoy, Mike. Dream Theater Tourography. (Retrieved February-April, 2005.)
King, Brian. (2003). “JaM Progductions! Interview with John Petrucci and Mike Portnoy”. Theater of Dreams 29, pp. 1420.
Hansen, Scott. (2003). “James LaBrie: As this man thinks”. Theater of Dreams 27/28, pp. 2630.
Hale, Mark (1993). “1731 Majesty”. Headbangers (First edition, second printing ed.). Ann Arbor, Michigan: Popular Culture, Ink. ISBN 1-56075-029-4.
External links
Wikimedia Commons has media related to: Dream Theater
Official website
Official English speaking fan club
HOME Dream Theater Official Turkish Fan Club
Video interview of Mike Portnoy, subbed in French
Photo Gallery: Dream Theater @ Brisbane Convention Centre 3 December 2009 – LifeMusicMedia.com
v d e
Dream Theater
James LaBrie John Petrucci John Myung Jordan Rudess Mike Portnoy
Chris Collins Charlie Dominici Kevin Moore Derek Sherinian
Studio albums
When Dream and Day Unite Images and Words Awake Falling into Infinity Metropolis Pt. 2: Scenes from a Memory Six Degrees of Inner Turbulence Train of Thought Octavarium Systematic Chaos Black Clouds & Silver Linings
Live releases
Live at the Marquee Once in a LIVEtime Live Scenes from New York Live at Budokan Score Chaos in Motion 20072008
Compilations
Greatest Hit (…and 21 Other Pretty Cool Songs)
EPs
A Change of Seasons Wither
Videos
Images and Words: Live in Tokyo 5 Years in a Livetime Metropolis 2000: Scenes from New York Live at Budokan Score Chaos in Motion 20072008
Singles
“Another Day” “Pull Me Under” “Take the Time” “Caught in a Web” “Lie” “The Silent Man” “Hollow Years” “Through Her Eyes” “Home” “As I Am” “Constant Motion” “Forsaken” “A Rite of Passage” “Wither”
Suites
A Mind Beside Itself Twelve-step Suite
Associated acts
Dominici Explorers Club The Jelly Jam Liquid Tension Experiment MullMuzzler Nightmare Cinema OSI Platypus Transatlantic True Symphonic Rockestra Winterspell Chroma Key
Related articles
Discography Band members Songs by lyricist Majesty Demos Lifting Shadows G3 Gigantour Roadrunner Records YtseJam Records
Categories: Dream Theater | Musical groups established in 1985 | New York heavy metal musical groups | Berklee College of Music alumni | American progressive metal musical groups | Long Island musical groups | Atlantic Records artists | Musical quintets | 1980s music groups | 1990s music groups | 2000s music groups | 2010s music groupsHidden categories: All articles with specifically-marked weasel-worded phrases | Articles with specifically-marked weasel-worded phrases from November 2009 | Articles needing additional references from November 2009 | All articles needing additional references
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Pandigital Zink
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ZINK Imaging Announces Next Generation of ZINK® Technology
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Sewing Machine Ranking
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Nikon FA – china Optical Ethernet Switch – 16-channel optic video multiplexer
Features
The FA accepted all lenses with the Nikon F bayonet mount (introduced in 1959) supporting the Automatic Indexing-Shutter (AI-S) feature (introduced in 1981). The contemporary Nippon Kogaku made AI-S lenses were the Nikkor AI-S, and Nikon Series E types. The AF-S Nikkor, AF-I Nikkor, AF Nikkor D and AF Nikkor autofocus lenses are also AI-S types. They will work too – for manual focus only, of course.
The FA could also use the older Nikkor AI type lenses (introduced in 1977), but in that case, the AMP meter and the shutter priority and High Speed program autoexposure modes (see below) would not work as well as AIS lenses allowed (this is due to their non-linear aperture stop-down mechanisms).
Nikon’s most recent 35 mm film SLR lenses, the AF Nikkor G type (introduced in 2000) lacking an aperture control ring; and the AF Nikkor DX type (2003) with image circles sized for Nikon’s digital SLRs will mount, but will not function properly. IX Nikkor lenses (1996), for Nikon’s Advanced Photo System (APS) film SLRs, must not be mounted, as their rear elements will intrude far enough into the mirror box to cause damage.
During the early 1980s, Nippon Kogaku manufactured approximately 70 manual focus Nikkor AI-S and Nikon Series E branded lenses. They ranged from a Fisheye-Nikkor 6 mm f/2.8 220 circular fisheye to a Reflex-Nikkor 2000 mm f/11 super telephoto. This was the largest and widest ranging lens selection in the world by far.
Major accessories for the FA included the Nikon MD-15 motor drive (automatic film advance up to 3.2 frames per second, plus power for the camera electronics), the Nikon MF-16 databack (sequential numbering, time or date stamping on the film), and the Nikon Speedlight SB-15 (guide number 82/25 (feet/meters) at ASA/ISO 100) and Nikon Speedlight SB-16B (guide number 105/32 (feet/meters) at ASA/ISO 100) electronic flashes. The FA can also utilize the Nikon MD-12 motor drive of the Nikon FM and Nikon FE series, but the unit will not provide power for the FA.
The Nikon FA was a mostly metal, heavily computerized version of the Nikon FE2. The FA was a battery powered (two S76 or A76, or one 1/3N) electromechanically (much electronics, but many springs, gears and levers) controlled manual focus SLR with manual exposure control or aperture priority, shutter priority and programmed autoexposure. The FA was Nippon Kogaku’s first SLR to have shutter priority autoexposure and first to have all four of the now standard PASM exposure modes. The FA actually had two programmed modes: a normal mode and a High Speed mode that automatically biased toward faster shutter speeds whenever an AI-S compatible lens (including Series E) of 135 mm or longer focal length was mounted.
The FA’s honeycomb titanium shutter blades.
Unlike the other compact F-series SLRs, the FA used plastic top and bottom plates: fiberglass reinforced polycarbonate for the black bodies, acrylonitrile-butadiene-styrene (ABS) for the chrome ones. The FA also used the ultra-fast, bearing-mounted, honeycomb-patterned, titanium-bladed shutter and through-the-lens (TTL) off-the-film (OTF) electronic flash automation of the FE2, but added a digital liquid crystal display (LCD) information panel at the top left of the viewfinder to indicate the readings of the built-in, open aperture, through-the-lens (TTL) light meter versus the actual camera settings. Depending on the set exposure mode, the LCD would display +/ over/underexposure markers, HI/LO out of metering range warnings, shutter speed and/or f-stop. Unfortunately, the LCD could not be illuminated in low ambient light situations. The FA also had a removable finger grip, similar to the one introduced on the Nikon FG, and an eyepiece blind. However, the FA’s real claim to fame was the AMP meter.
AMP used a light meter with two segmented silicon photodiodes to divide the field of view into five segments: the center and the four outer quadrants. The readings of the various segments would be analyzed by a 4 bit microchip computer (with a 524 KHz central processing unit (CPU) and 8 KB of memory) programmed to look for exposure errors caused by unusually bright or dark luminance patches and automatically correct the exposure settings. Nippon Kogaku said that the program was written after the visual assessment of nearly 100,000 photographs. AMP was originally intended to be introduced in the Nikon FE2, but it was not ready for production in time.
As the first generation of matrix metering, AMP was hardly foolproof. For instance, holding the FA vertically instead of horizontally might cause the meter to give different readings of the same scene. However, AMP was still demonstrably superior to the centerweighted type of light metering then in common use. AMP would give a good exposure 90-95% of the time versus 85-90% for centerweighting. Note that AMP was automatically disabled in the FA’s manual exposure mode and could be turned off in the autoexposure modes. In both cases, the FA would default to Nippon Kogaku’s traditional 60/40% centerweighted metering. However, the FA omitted the autoexposure memory lock of the FE2 – AMP was supposed to obviate any need for it.
AMP was the most important advance in exposure control since built-in, through-the-lens (TTL) light meters were introduced by the Topcon Super D (in the USA/Canada; RE Super in the rest of the world) in 1963. Despite outcries from traditionalist photographers who knew how to correct their own metering exposure errors, the feature was quickly copied by all the major SLR manufacturers.
The FA (like the rest of the compact F-series) was built to Nippon Kogaku’s traditional and unusually high (and expensive) standard of workmanship for amateur level SLRs. It used high strength alloy parts, hardened metal gearing, ball bearing joints and gold plated electrical switches; all made to precise tolerances and largely hand assembled, in an era when most other manufacturers switched to high-tech plastics, simplified modular construction and coarser tolerances to lower costs in the face of competitive pressure. As a result the Nikon FA could endure conditions that would cause virtually all other contemporary non-professional level SLRs to break down mechanically. A higher price was considered a fair trade for impressive durability. Design History
The 1970s and 1980s were an era of intense competition between the major SLR brands: Nikon, Canon, Minolta, Pentax and Olympus. Between circa 1975 to 1985, there was a dramatic shift away from heavy all-metal manual mechanical camera bodies to much more compact bodies with microprocessor electronic automation. In addition, because of rapid advances in electronics, the brands continually leap frogged each other with models having new or more automatic features.
After many years of conservative designs, the Nikon FA was intended to be Nippon Kogaku’s technological blockbuster, surpassing such worthies as the Canon A-1 (released 1978) and the Olympus OM-4 (1983) then pummeling Nikon sales. Nikon Inc. (USA)’s brochure referred to it as “THE TECHNOCAMERA”. The FA did have one very rare and conservative feature for an electronically controlled camera. Nippon Kogaku’s philosophy that a camera must always work when called upon resulted in the FA’s backup ability to operate without batteries – albeit in a very limited fashion: completely manual mechanical control with two shutter speeds (1/250th second, marked M250, or Bulb) and without the light meter.
The FA was initially in high demand, despite its very high price – selling at barely 10% lower than the professional level Nikon F3HP – because many Nikon owners were eagerly awaiting such a technology leader. Unfortunately, early production teething problems with all of the sophisticated electronics meant that Nippon Kogaku could not meet the demand. The FA picked up a reputation for unreliability (for a Nikon) and ultimately did not sell as well as hoped because, by the time production got rolling, its technology was eclipsed in the public’s imagination by the advent of autofocusing SLRs – especially the landmark Minolta Maxxum 7000 in 1985. The FA also marked the end of the road for Nippon Kogaku’s electromechanical cameras. All future Nikon camera development would emphasize the computerization of picture taking.
Time has proven the Nikon FA to be very mechanically tough. Unfortunately, the complexity of all of its electronics made the FA less reliable than the other, simpler Nikon compact F-series SLR models, although still better than multimode SLRs from competing brands. During the mid 1990s, it was fairly popular on the user-collectible market and commanded prices ($500 in pristine condition) higher than when it was new – almost as high as the very popular, but much lower featured Nikon FE2, making the FA a relative bargain. However, since spare parts to repair any failed electronics became unavailable around the year 2000, the FA has become much less desirable to user-collectors, with a concomitant and commensurate drop in prices. It is still regarded as one of the most fascinating SLRs of its generation. References
“Nikon MF/AF Bodies – Lens Compatibility” http://www.nikonlinks.com/unklbil/bodylens.htm retrieved 3 January 2006
Anonymous. Nikon FA Brochure. “Nikon FA. THE TECHNOCAMERA.” Garden City, NY: Nikon Inc., 1983.
Anonymous. Nikon FA Advertisement. “Introducing a camera that has more in common with the human eye than with other cameras.” pp 25-27. Modern Photography, Volume 47, Number 11; November 1983.
Anonymous. “Modern Photography’s Annual Guide ’84: 48 Top Cameras: Nikon FA” p 84. Modern Photography, Volume 47, Number 12; December 1983.
Anonymous. “Nikon FA: Multi-Mode Plus Auto Multi Pattern Metering” pp 66-71. Modern Photography’s Photo Buying Guide ’85. reprint from Modern Photography, March 1984.
Anonymous. Nikon SLRs (F3HP, FA, FE2, FM2, FG, FG-20) Advertisement. “Our lenses come with the world’s most incredible back-up systems.” pp 7-9. Modern Photography, Volume 48, Number 12; December 1984.
Anonymous. Nikon FA Advertisement. “We don’t just help win awards for others, we also win them for ourselves.” pp 2-3. Modern Photography, Volume 49, Number 3; March 1985.
Anonymous. “Modern’s Inside Your Camera Series #37: Nikon FA” pp 50-51, 64, 90, 92, 98. Modern Photography, Volume 50, Number 6; June 1986.
Anonymous. KEH Camera Brokers catalogue, Sept 1996. Atlanta, GA: KEH Camera Brokers, 1996.
Comen, Paul. Magic Lantern Guides: Nikon Classic Cameras; F, FE, FE2, FA and Nikkormat F series. First Edition. Magic Lantern Guides. Rochester, NY: Silver Pixel Press, 1996. ISBN 1-883403-31-6
Keppler, Herbert. “Keppler’s SLR Notebook: Nikon FA: Multi-mode SLR Can Correct Auto Exposure With On Board Computer” pp 58-59, 110, 112, 150. Modern Photography, Volume 47, Number 10; October 1983.
Massey, David and Bill Hansen. KEH.com catalogue Volume 6, 2006. Atlanta, GA: KEH.com, 2006.
Peterson, B. Moose. Magic Lantern Guides: Nikon Classic Cameras, Volume II; F2, FM, EM, FG, N2000 (F-301), N2020 (F-501), EL series. First Edition. Magic Lantern Guides. Rochester, NY: Silver Pixel Press, 1996. ISBN 1-883403-38-3
Schneider, Jason. “A Half Century of The World Greatest Cameras!” pp 56-59, 76, 124. Modern Photography, Volume 51, Number 9; September 1987.
Schneider, Jason. “SLR Notebook: Recent Casualties: Vanishing Breed of SLR?” pp 17-18. Modern Photography, Volume 52, Number 1; January 1988.
Schneider, Jason. “Great Buys In Used SLRs!!” pp 80-81, 130. Popular Photography, Volume 61, Number 11; November 1997.
Stafford, Simon and Rudi Hillebrand & Hans-Joachim Hauschild. The New Nikon Compendium: Cameras, Lenses & Accessories since 1917. 2004 Updated North American Edition. Asheville, NC: Lark Books, 2003. ISBN 1-57990-592-7 External links
Wikimedia Commons has media related to: Nikon FA
Nikon FA Fanpage
Nikon FA photo from Nikon Corp (Japan) online archives
Nikon FA
Nikon FA articles from www.mir.com.my Photography in Malaysia
Nikon FA history page from Nikon Corp (Japan) online archives
best manual focus Nikon SLRs page from www.cameraquest.com/classics Stephen Gandy’s CameraQuest Classic Camera Profiles
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Nikon 35mm Film SLR Cameras
Manual Focus
F series Nikkorex series Nikkormat FT series F2 series EL series FM FE EM F3 series FG FM2 FE2 FA FG-20 F301 F601m FM10 FE10 FM3A
Autofocus
F3AF F501 F401 F801 F4 F401s F601 F401x F801s F90 F50 F60 F70 F90x F5 F100 F65 F80 F55 F75 F6 Categories: Nikon SLR cameras
About the Author
The e-commerce company in China offers quality products such as china Optical Ethernet Switch , 16-channel optic video multiplexer, and more. For more , please visit TDM over IP today!
ANTIQUE CAMERAS – PENTAX AUTO 110 Nº O1145
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Remote Shutter Release for Canon Rebel XT, XTi, XSi, XS, T1i, EOS 1000D/450D/400D/350D/300D, Pentax Super/K100D/K110D/ *ist Ds2 / *ist D / *ist Ds / *ist / *ist DL, Samsung GX-20/GX-10/GX-1L GX-1S, + Many More! $0.01 New Shutter Release Remote Control Cord for Canon Cameras Remote Cord for Canon RS-60E3, 3 Feet (91cm), Black It adds greater convenience and ease in many shooting situations |
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Pixel RC-201 Remote Shutter Release Control compatible with CANON RS-60E3, PENTAX CS-205, CONTAX LA; fits Canon EOS 60D, 300D, 350D, 400D, 450D, 500D, 550D, 600D, 1000D, 1100D, Rebel XTi, Rebel 2000, Rebel T1i, Rebel T2, Rebel T2i, Rebel T3, Rebel T3i, EKiss, KISS X2, Kiss X5, PowerShot G10, G11, G12; PENTAX K7, K5, K200D, K100D, K110D, K20D, K10D, *ist DL2, *ist DL, *ist DS2, *ist D, *ist Ds, MZ-6, ZX-L; SAMSUNG GX-1L, GX-1S, GX-10, GX-20, NX10, NX100, NX5 $1.99 This Remote Control Fits Fits Canon EOS 60D, 300D, 350D, 400D, 450D, 500D, 550D, 600D, 1000D, 1100D, Rebel XTi, Rebel 2000, Rebel T1i, Rebel T2, Rebel T2i, Rebel T3, Rebel T3i, EKiss, KISS X2, Kiss X5, PowerShot G10, G11, G12; PENTAX K7, K5, K200D, K100D, K110D, K20D, K10D, *ist DL2, *ist DL, *ist DS2, *ist D, *ist Ds, MZ-6, ZX-L; SAMSUNG GX-1L, GX-1S, GX-10, GX-20, NX10, NX100, NX5; CON… |
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iTEKIRO AC Wall DC Car Battery Charger Kit for Pentax 645D K-5 K-7 + iTEKIRO Lens Cleaning Pen $13.94 Products trademarked iTEKIRO are marketed and sold exclusively by EPMUSA at Amazon.com. This wall and car 2-in-1 battery charger kit charges the battery of Pentax 645D, K-5, K-7. The package includes an AC wall charger, a 12V cigarette lighter adapter (DC car cable) for any vehicles, and a free European AC plug adapter, which you can use in most Asian and European countries. Its slim, lightweight … |
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Pentax Cameras, including: Asahi Pentax, Pentax Auto 110, Pentax K1000, List Of Pentax Products, Pentax Mx, Asahiflex, Pentax Lx, Pentax Spotmatic, … Pentax Sfx, Pentax Me Super, Pentax Super-a $11.21 Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although … |
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Slr Cameras, including: Exakta, Asahi Pentax, Canon Eos, Minolta Maxxum 7000, Praktica, Pentax Auto 110, Pentax K1000, Zenit (camera), Canon Ae-1, … Canon New F-1, Canon Ft Ql, Olympus Om System $18.81 Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although … |
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Pentax, including: Pentax *ist Ds, Pentax Mz-d, Pentax K10d, Pentax K100d, Pentax *ist D, Pentax K110d, Pentax K20d, Pentax K200d, Pentax K2000, … Pentax Auto 110, Pentax K1000, Pentax Mx $16.67 Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We belie… |
Brother Nx
Brother Nx

What is wrong with my AC Adapter?
I have a HP compaq nx 7300.
My brother has exactly the same. But my adapter isn’t working properly. If i unplug then replug it , it sometimes works but then a few minutes later it switches to battery power.
I charged my computer using my brother’s adapter and it worked fine.
check for corrosion at the end. perhaps the end was wet once. Otherwise a wire is broken
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Modern Drummer Festival 4 Horacio El Negro Hernandez [VHS] $12.94 … |
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Brother of Sleep [VHS] $98.99 … |
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Sixteen Candles (High School Reunion Collection) $3.93 Molly Ringwald established herself as the teen queen of the ’80s in this fresh comedy. The movie is a day in the life of Samantha, whose 16th birthday is turning out to be anything but sweet. All the traumas of teendom come down on one long day, which sees Samantha surrounded by dithery relatives, mooning over a high school hunk, and pursued by a sawed-off Lothario. Sixteen Candles marked the dire… |
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We Were Soldiers (Widescreen Edition) $2.54 Based on the book by Lt. Col. Harold Moore (ret.) and journalist Joseph Galloway, We Were Soldiers offers a dignified reminder that the Vietnam War yielded its own crop of American heroes. Departing from Hollywood’s typically cynical treatment of the war, writer-director Randall Wallace focuses on the first engagement of American soldiers with the North Vietnamese enemy in November 1965. Moore (pl… |
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Harry Potter and the Sorcerer’s Stone [Blu-ray] $7.85 Here’s an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer’s Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter’s world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the… |
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Live at Beacon Theatre $12.07 … |
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The Dukes of Hazzard (PG-13 Full Screen Edition) $3.99 The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where’s My Car?) as well as the presence of the ’70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more “rehash” than “remake,” as good ol’ Georgia bo… |
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Mario Kart Wii with Wii Wheel $44.58 Drivers, start your engines!Nintendo is bringing Mario and his friends with their finely tuned racing machines back and this time to the Nintendo Wii. With 3 different control styles and a Wii Wheel included in the box, Mario Kart Wii is bound to be the best in the series. The worldwide race is on with a whole new set of tricks, tracks, and ways to play! Place first in Grand Prix circuits or clear… |
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DJ Hero 2 Stand-Alone Software $4.98 The follow up to the award-winning #1 new videogame IP of 2009, DJ Hero 2 will transform living rooms into nightclubs all over again with an entirely new music-gaming experience. Friends & families can become mix masters and singing sensations to experience hit music like they’ve never heard it before. With a host of new DJ and vocal multiplayer modes, including innovative DJ Battles, and 70+ mixe… |
Brother Dcp-7030 Toner
Brother Dcp-7030 Toner

printers toners and drums ?
ok i brought a brother laser mono dcp 7030 like at
http://www.misco.co.uk/applications/SearchTools/item-details.asp?EdpNo=321189&CatId=
i brought a drum unit for this machine for when it runs out …. i thought a toner did x amount of pages but a dum did double the pages apx, ok i was wrong i found out the hard way as i opened my machine to find out it already had a drum unit in that does apx 12000 pgs so im still out of toner when i need it …. ok what the question is on a machine like the brother dcp 7030 rrp £115 with a drum and toner is it not better after you have used say 5 toners to 1 drum just to buy a NEW machine instead of buying a toner and drum that would cost apx £100
Actually, you do have a point. The prices are ridiculous.
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Brother TN360 High Yield Black Toner Cartridge $64.99 Brother TN-360 OEM Toner Cartridge (TN360) – 2,600 Pages… |
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Compatible Toner Cartridge to Replace TN360 (Black) $10.78 TN360 Compatible High Yield Black Toner Cartridge…… |
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Brother TN330 Black Toner Cartridge $44.99 You’ll want to have one of these on hand when that toner light starts flashing: just snap this black toner cartridge into place and you’ll be up and running again. Compatible with Brother laser printer models HL-2140 and HL-2170w, the TN330 has an expected lifetime yield of 1,500 pages (based on 5% coverage). Designed for optimal use with Brother name-brand consumables, its fine particles help pro… |
Brother Cs-6000i
Brother Cs-6000i
Can anyone tell me anything about the Brother CS-6000i sewing machine?
I’ve been through several sewing machines in the past couple of years, and am looking for one that will last and can handle being used daily. I’m also on a budget, so I was checking out this model. I’ve read mostly great reviews on it, and a few bad ones. Anyone have more information?
http://www.walmart.com/catalog/product.do?product_id=4764723
Personally I would go non-computerized. I have this one and aside from daily oiling it’s been pretty good to me. I’ve had it for 5 years now.
But if you want a good machine check out your local thrift shops for OLD singer’s. They may need a tune-up and/or replacement parts but they’re very well made. My sister has one. Just make sure they are from before the 80′s as that’s when they went overseas and became mostly pieces of junk.
Or check sewing machine shops (they usually sell vacuums too).
Good luck and I highly commend you for doing your research
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K&N Engineering Aerosol Recharger Kit 99-5000 $8.27 K&Ns #1 selling recharger kitDesigned to recharge any K&N filter chargerKit contains 6-1/2 oz. spray oil, 12 oz. filter cleaner and decal… |
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Brother Sewing Machine Model CS 6000i Instruction Manual This is a Brother Sewing Machine Model CS 6000i Instruction Manual. Manual is in English. This digital copy is 66 pages, that covers operation and basic maintenance procedures. This manual is in electronic format mailed to you on a cd…. |
Brother Color Printer
Brother Color Printer
Why do my colour cartridges run out on my Brother printer when I don’t do any colour printing?
I have a Brother MFC-3340CN printer and never print in colour and yet every so often the ink runs out on my colour cartridges and I have to replace them before I can print even though the Black cartridge is full. Can anyone tell me why or how to prevent this?
Because modern printers use all the colours as well as the black. The black is just one of the basic colours now. Modern computers and printers can now reproduce over 6,000,000 individual colours.
Surprisingly enough there are many shades of black which can only be printed using the three basic primary colours, yellow, blue and red plus the black as well.
Even printing in grey or shades of grey is produced by the colour cartridges and not the black one. If what you are printing is not quite the shade of black that is in the black cartridge then it will use the colours to produce that black.
So if your printer just uses two cartridges, one black and one colour, as the cartridges are roughly the same size the capacity for the black one is 100% and if you have 3 colours in the other one then they each only have about a third of the capacity of the black one.
Also don’t forget if only one colour runs out the whole cartridge is flagged as being empty.
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Brother 3 PAK CYAN MAGENTA YELLOW LC65HYCS LC65HYMS LC65HYYS YIELD 750X3 MFC-6490CW $35.99 LC65HYCS,LC65HYMS,LC65HYYS YIELD 750X3…. |
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Brother Dr-360 Drum Kit Yield 12,000 Page Compatibility Hl2140 Hl2170w $82.69 Brother offers the widest selection of printing, fax, and multi-function products on the market today, in every technology segment. Fax and multifunction color inkjet, laser, thermal transfer and thermal engine models. Printing solutions for personal use, desktop office use, small or medium-sized networked workgroups, or color. Brother machines also offer comprehensive feature sets that enable you… |
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Chuck: The Complete Second Season $19.22 Studio: Warner Home Video Release Date: 01/05/2010 Run time: 585 minutes Rating: Nr… |
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Four Christmases $4.52 When your significant other tells you you both need an exit “safe word” before you enter his dad’s Christmas gathering, you know you’re not in Bedford Falls. But while Vince Vaughn and Reese Witherspoon may not be It’s a Wonderful Life’s George and Mary Bailey, Four Christmases is a modern holiday classic in its own right. For one thing, every family neurosis and dysfunction have taken root in the… |
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Brother HL-2270DW Compact Laser Printer with Wireless Networking and Duplex $88.90 Compact laser printer with wireless networking and duplex. The HL-2270DW is a monochrome laser printer that offers an automatic duplex capability for printing two-sided documents with ease, fast printing at up to 27 pages per minute, and built-in wired and wireless networking for sharing with others. It features a stylish, space-saving design that fits virtually anywhere and complements any enviro… |
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Brother PT1290 Home and Office Labeler $14.89 The Simply Stylish PT-1290 features 15 “Deco Mode” patterns for creating extra-stylish labels. The Simply Stylish PT-1290 features 15 “Deco Mode” patterns for creating extra-stylish labels. Offers 2 fonts and professional-looking 1 and 2 line label layouts. Features 15-character display and memory to store your favorite labels. Uses durable, laminated “TZ” series tapes up to ” wide.||. Number of T… |
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Brother Laminated Black on White Tape (TZe231) $5.99 This tape features our exclusive laminated tape process and our standard adhesive. Perfect for everyday applications. These labels stay on under normal indoor and outdoor use, including hot and cold environments. Best suited for smooth flat surfaces…. |
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BROTHER: NEXT GEN COLOR LASER PRINTERS.(Brother International HL-2600CN and HL-3450CN)(Product Announcement): An article from: Federal Computer Market Report $5.95 This digital document is an article from Federal Computer Market Report, published by Millin Publishing, Inc. on January 14, 2002. The length of the article is 495 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.Citation… |
Brother Tz-231
Brother Tz-231
Data Recovery Questions And Answers
More Data Recovery questions please visit : RecoveryDataFAQ.com
How To Recover My Deleted Files?
Hello, just want to ask if there’s any such tool as you can bring final all of your personal files after you accidentally delete it while reformatting the operating system? thanks for your time. cheers! Polite request: please don’t post if you don’t know what you’re discussion about. I know you be determined well,…
How to recover my facts on my computer?
I can’t boot into Windows, and I tried to boot Ubuntu linux from a cd, but it gave me a drive error. I guess my easier said than done drive is seriously corrupted. Can anybody give me a connect to something I can boot into, and repair my HD that…
How to recover my facts when my notebook cannot boot??
I hv 1 HDD in my workstation, and i hv 3 partition, so very soon my pc cannot boot and i hope i can hv it final all my facts, and what am i going to do with it … thank Have a friend capture you a copy of…
How to recover my facts?
when i was installing blue tooth software contained by my system suddenly restart and it get corrupted. how can i restore my system lacking lossing my data If you enjoy windows XP is uncomplicated. You can go to star/ programs / PC and support tools / system restore. And restore to a…
How to recover my files after delete from recycle bin? plz backing me?
You can get some software from the trellis and try to recover these files, provided that there are no information being written over one and the same space. Search “Data Recovery” in any poke about engine. I don’t think you can,sorry. If you know the…
How to recover my files by a free program that have be tried up to that time?& could it recover delete files?
i was have a virus on my pc wich call thumbs.exe & it formatteted all my notebook & after that i deleted adjectives my partitions and divided it again and ofcourse format it to be completly sure…
How to recover my formeted background and files?
I am deleted and formete f:/ sturdy disk, how to recover my files Hi. The files on the formatted hard disk can be recovered well and completely if it has not be overwritten. If it has be overwritten too, files can be recovered but not 100%. To do this, you would…
How to recover my lost documents and background?
My brother accidentally deleted the full documents of my computer which includes music,videos,pictures,soft wares and several other documents i have installed the winUndelete Utility but it didn’t help me much can anyone tell me which is the best Undelete toggle which will recover my background and from where can i download it?…
How to recover my lost information?
after system crash, i have re setup my notebook again as if i was setting up a fresh computer. i didn’t see any of my old files. i enjoy tried running the data recovery cd, but it didn’t work. what to do? urgent facilitate, please. i want all my antediluvian files back. …
How to recover mysterious Data from pendrive?
fnrdzzzz i have a problem contained by my Pendrive (iball)…..actually i have a data of approx 1.5 GB contained by my pendrive but unfortunatly i am unable to use my information it is blank but if we go to properties it shows used memory 1.5 GB how can i brand name it visible…
How to recover notes after HDD format?
Do anyone know any software or any tools can help me recover my notes after HDD formatted?? The data is so earth-shattering for me, please help me.. very well this program can get your files after you enjoy formatted your Hard disk but you need to buy it . it call RECOVER…
How to recover notes delete from recyle bin?
I have lost my background mistakenly from recycle bin You need Data Recovery Software in truth. Click on below link It’s a free software to recover your PC background……… http://www.pandorarecovery.com/download/ I think a System Restore might work. To do a System Restore (my instructions will be for Windows XP,…
How to recover notes from a crashed complicated drive?
I have a Dell Dimension 8400 Desktop and I received the message stating that my sturdy drive was not found: Drive 0 not found: Serial ATA, SATA-0 Strike the F1 knob to continue, F2 to run the setup utility. I hold also noticed that my knotty drive continues to…
How to recover notes from a formatted not easy disk?
My external hard disk drive which contained in the order of 80 GB of data be corrupted suddenly and I had to format it. Now adjectives the data surrounded by the disk is lost. Is there any road of recovering them. I downloaded quite a few softwares,…
How to recover notes from a HDD?
I’ve a Vaio Tz, I’m afraid I’m going to have to dispatch it to be repaired. Windows vista doesn’t load and I would similar to to know if there a instrument the recover my files. I know in a Mac you can connect 2 computers via Firewire and use one as a sturdy…
How to recover notes from a insensible Dell laptop?
My Dell Inspiron 1521 wont even turn on now. – I hold alot of data on it, pictures and schoolwork and such. Since I’m inept to even turn it on, Whats the best way to help yourself to out the hard drive and get hold of it plugged in into a…
How to recover notes from a mini disc that won’t play?
Did a bangin mix last dark and the data have recorded onto the mini disc but it won’t play properly it s jump all the time, on both my mini disc players but the second track on the disc is fine, is nearby any way to recover the set…
How to recover notes from a RAID configuration?
I have a dell precision workstation next to 3 hard drives within a RAID configuration. I just want to verbs the data to an external complicated drive and reformat all of them. How can I vary it to legacy mode to newly take the background off? I own a PERC 5/i…
How to recover notes from a shorted rock-hard drive?
I bought a new computer as the other one have the fritz. I wanted to copy files from an out-of-date second drive which worked fine until I plugged the power in upside down and accidentally shorted it. Now I can’t plug the power into the drive short the computer…
How to recover notes from a unresponsive notebook?
Hi, My Acer Aspire 5020 notebook has lost power and won’t switch on. Any design how to recover the data? Much of it is back up but I have some recent emails and photos that i’d resembling to recover. Can I remove the hard drives and put them into…
How to recover notes from an external complex drive if the dividing wall is lost?
currently my external hard drive effortlessly crashed and lost its partition, especially if it is not properly remove. How’s nearly some FREE software? Try pmagic, it’s a FREE linux live cd that’s easy to use and a small d/l. Find out more here… http://partedmagic.com/ …
How to recover notes from computer?
I have a concrete drive with a NTFS folder system, running Windows XP. I lost some pictures, text, and movie files due to spyware, and virus. Is there a program that certainly works, that I can use? Thanks! “> Yes. Instructions here: http://www.psychocats.net/ubuntucat/reco… You can try PC Inspector Recovery, Pandora Recovery,…
How to recover notes from corrupted complicated disk of laptop and laptop?
if u are suggesting slave and all these.afterwards plz explain well becoz i don’t know how to generate slave. save yourself the aggravation and convey it to a data recovery expert. For laptop u have need of external usb drive change his hdd from laptop and after u…
About the Author
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TZ TAPE BROTHER BR PT200 TZ TAPE – LQ 1-PK BLK/WHT 1/2″… |
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Brother Laminated Black on White Tape (TZe231) $5.99 This tape features our exclusive laminated tape process and our standard adhesive. Perfect for everyday applications. These labels stay on under normal indoor and outdoor use, including hot and cold environments. Best suited for smooth flat surfaces…. |
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Brother extra strength Tape, Black on White, 12mm (TZeS231) $10.86 The Brother TZeS231 Laminated Extra Strength Adhesive Tape is an ideal accessory that is great for labeling in harsh indoor and outdoor environments. Equipped with a extra-durable adhesive with enhanced resistance for increased versatility…. |
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Brother TZ-631 1/2 Labeling Tape (26.2′, Black on Yellow) $10.59 This cartridge is for the Brother P-touch label maker. Use with the PT-200 and the PT-1200. The half-inch wide tape has black text on top of yellow. The laminated tape has adhesive backing. The length of tape is twenty-six feet. What’s in the Box Label tape. Find out which tapes are compatible with your label maker.Find your tape in an assortment of fun colors…. |
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Brother M231 1/2-Inch Black on White Tape for P-Touch Labeler $4.25 Create attractive labels for home, home office, school or hobby applications. For indoor and light use. Color: Black on White. Width: 1/2″. Yield: 26.2 ft. Label Style: M tape. Yield 26.2 ft. . Durable, colorful labels that are designed for indoor applications… |
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Brother Laminated Black On White Tape 2Pack (TZe2312PK) $17.48 This tape is available for: PT-200, PT-1200, PT-300, PT-300B, PT-310, PT-310B, PT-320, PT-340, PT-1700, PT-1800, PT-330, PT-350, PT-520, PT-540, PT-580C, PT-2500PC, PT-2200, PT-2400, PT-530, PT-550, PT-9200PC, PT-9400… |
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Great Papers! Red Classic Crest Certificate Cover; 5 ct. $7.99 Red Certificate Cover features gold foil embossing and heavyweight cardstock. Cover is 12″ x 9 3/8″… |
Fujitsu 1500m
Fujitsu 1500m
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Eclipse AVN7000 7-Inch HD Navigation System With Dvd/Ms Multi-Source Receiver $1,370.00 Versatility and convenience – that’s what you get from Eclipse’s AVN7000 in-dash DVD player/navigation system with its motorized, retractable 7″ video screen. It entertains you with a number of playback options while guiding you to your destination accurately and efficiently. Best of all, it fits right in your vehicle’s standard-sized dash opening. Eclipse outfitted the AVN7000 with an impressive … |
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Paperless [Old Version] $49.95 One of the only eco-friendly software packages for Mac OS X Paperless is software that helps you cut through the clutter. Using the Paperless Optical Character Recognition (OCR) you can scan your receipts (using most any Twain-compliant scanner) warranty cards deposit slips and other paperwork and Paperless will automatically recognize and categorize these documents. The built-in search funct… |
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NeatWorks Digital Filing System Software for Mac [Old Version] $79.95 NEATWORKS FOR MAC… |
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Adobe Acrobat Professional 9 Upgrade from Acrobat Pro [Mac] [OLD VERSION] $159.00 Adobe Acrobat v.9.0 Professional – Upgrade Protect documents and accelerate information exchange with PDF Communicate and collaborate more effectively and securely. Unify a wide range of content in a single organized PDF Portfolio. Collaborate through electronic document reviews. Create and manage dynamic forms. And help protect sensitive information. Deliver professional documents Easily organi… |
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Fujitsu ScanSnap S1500 Instant PDF Sheet-Fed Scanner for PC $379.00 Fujitsu ScanSnap S1500 Sheetfed Scanner PA03586-B005 83… |
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Fujitsu ScanSnap S1300 Instant PDF Sheet-Fed Mobile Scanner (PA03603-B005) $244.99 The all new ScanSnap S1300 Mobile Scanner – Makes Document Management a Snap!… |
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Fujitsu ScanSnap S1500M Instant PDF Sheet-Fed Scanner for the Macintosh $379.99 The ScanSnap S1500M provides Mac users an effective way to greatly reduce paper clutter, storage space, and security risk associated with unmanaged paperwork at home or office. Even better, documents scanned by ScanSnap take on a higher level of accessibility and usefulness once liberated into the digital realm. Included items 1 USB cable (2.0),1 ScanSnap CarrierSheet,1 Safety Precautions,1 AC ad… |












